Anthony Skuse 

Masterclass  – Works of Chekhov and Ibsen 

Scene work from the pays of Anton Chekhov and Henrik Ibsen.

Course Outline | Course Outcomes | Session Details | Apply Now

Course Overview

This special version of the Anthony Skuse Masterclass is an opportunity to delve into the works of Anton Chekhov and Henrik Ibsen. Anthony Skuse is attuned to the history, style and language of many classic and contemporary plays, and will focus this masterclass on scenes from Chekhov and Ibsen. This course is a chance to re-engage with the fundamental tools of the craft. It’s an opportunity to stretch your skill set so that you feel more confident and equiped to confidently take on the challenges of more contemporary texts.

Anthony is one of Sydney’s most respected directors, a real actors’ director. His insight will give each participant a hands on understanding of his process, as well as keeping your acting fit and ready to approach your next theatre audition with a fresh perspective.

This series is ideal for actors who are also interested in direction.

It is invite only, with the highest standard being sought, a place on the course is not guaranteed.

Course Outline

Each week will involve:

  • Scene each week prepared prior to class, rehearsed for minimum three hours!
  • Feedback and direction from Anthony, with group participation.
  • Specific focus on scene technique, script analysis & Anthony’s process.

Course Outcomes

By working closely with Anthony, you will learn, develop, practice and be held accountable for Anthony’s work. This course will sharpen your skills and excite you to keep learning. You will achieve:

  • A greater understanding of some of the works of Modern American plays and styles.
  • Deep dive into text analysis & character analysis.
  • Familiarity towards Anthony’s work & how he views acting.
  • Accountability for practice and performance which funnels you towards a more professional work ethic.

Skuse is a master director and, as often follows, a master teacher. He makes you feel safe to explore, but challenges you to take risks at the same time. I’ve loved the work I’ve done with Skusie, and I can’t wait to do more. 

– Erica Lovell (A Place to Call Home, Sea Patrol)

Session Details

When: 4 x Tuesdays

Dates: 24th November – 15th December 2020

Time: 7pm – 10pm

Venue: 18 City Rd, Chippendale, NSW 2008

Participants: 12 Maximum

Price: $276.00 incl GST (members receive 10% off)

Session Details

Payment Information

How To Pay & Instalment Option: The easiest way to pay is by Electronic Funds Transfer (EFT) using the bank details on the invoice (please quote the invoice number in the transfer information), or by simply clicking the ‘pay online’ link also on the invoice (bank fees apply). You will be email an invoice upon acceptance into the program. Payment is due no later than the due date stated on the invoice, however if you would like to pay in instalments please call or email the office to arrange the dates and amounts you will pay. Please note full payment of the course is due by the time the course finishes. You can start payment instalments at anytime upon receipt of the invoice.

About Anthony Skuse

Anthony is a director, dramaturge and teacher.Anthony’s directing credits include: Chekhov’s Seagull (Secret House); Play Without a Title (AFTT, Belvoir Downstairs); Simon Stephens’ Birdland (New Theatre); Sarah Kane’s 4.48 Psychosis (Old Fitz); Simon Stephens’ Herons (ISA) Suzie Miller’s Sunset Strip (Uncertainty principle) Griffin; Melita Rowston’s Between the Streetlight and the Moon (Mophead Production); Bathsheba Doran’s Mystery of Love and Sex (Darlinghurst Theatre); Charlotte Jones’ Airswimming (The Vaults, London);Tadeusz Słobodzianek’s Our Class (AFTT, Belvoir Downstairs); Nick Enright’s Man With Five Children (Darlinghurst Theatre Company); Katy Warner’s Dropped (Old Fitz); Christopher Harley’s Blood Bank (Ensemble Theatre); Jane Bodie’s Fourplay & Ride (Darlinghurst Theatre Company); José Rivera’s The House of Ramon Iglesia (MopHead Productions); Suzie Miller’s Caress/Ache (Griffin Theatre Company); Jessica Bellamy’s Shabbat Dinner (Rock Surfers); Chekhov’s Platonov (ATYP Selects); Nick Payne’s Constellations(Darlinghurst Theatre Company); Diana Son’s Stop Kiss (Unlikely Productions); Bite Me (ATYP); Simon Stephens’ On the shore of the wide world (Griffin Independent); Amy Hertzog’s 4000 Miles (Under the Wharf, Sydney & La Boite, Brisbane); Stephens’ Punk Rock (Under the Wharf) three Sydney Theatre Awards including Best Independent Production and Best Direction.

Anthony's Full Biography

Apply For The Course

Please send an expression of interest including your C.V. to courses@thehubstudio.com.au or use the below form. Please note the course is by invitation only. If accepted we shall send out an application form with all the course information. Notification for acceptance will be made no later than one week before course commencement.

If offered your place will only be held once payment is received in full. Failure to do so will forfeit your place on the course. For more information or queries please don’t hesitate to call on (02) 9212 0522 or alternatively email us on the above address.

Course Application Form

To apply for any of our courses please use this form.
  • If accepted onto the series you will be required to pay via one of the above options, please choose one from the following options.
  • Please note a Hub Member is someone who has signed up for either a six or twelve month membership.
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Contact Us

For further questions or queries please contact us directly during 10am – 5pm / Monday – Friday on the below details:

Our office and studio is located across from Victoria Park and the Broadway Shopping Centre in Sydney’s Chippendale. For best parking and travel options please click here.

Further Questions

The HubStudio prides itself on helping professional actors to facilitate their training journey. If you would like more information about this course, or more importantly which courses would suit you best, then please email or call us to discuss your training goals.