Finding Complicite´ w/ Kristine Landon-Smith & Fabio Motta 

The pleasure to play with your scene partner and the audience

Course Outline | Course Outcomes | Session Details | Apply Now

Course Overview

This unique workshop forensically examines what the actor needs to do in order to ‘play well’ on stage at every moment, whether in scene or monologue, in rehearsal, performance or audition. It will reveal to the actor how to stay present and connected not only with a scene partner but also with the audience. Kristine Landon-Smith and Fabio Motta will take you through a series of games, improvisations, text and clown exercises that will increase an actor’s sensitivity and awareness on how to experience the pleasure to play well on stage.
Games for the theatre have become an integral component in most theatre training establishments throughout the world, used not only in the rehearsal process but also as a way of preparing the actor to be creative. This methodology, strongly influenced by Philippe Gaulier’s flagship course “Le Jeu”, places the actor at the centre of the rehearsal room process, and gives them the confidence to play through themselves in any text or genre. A central part of the study is about learning complicité (effortless connectivity and collaboration between actors and also audience).
The work is based around the principle of bringing one’s authentic self to the stage. The actor is at the heart of the practice, and Kristine and Fabio work with each individual in the collective to encourage a deeper sense of self in both text and clown work.
No previous clown training required. This class is open to all who are curious to play and explore, from actors, to directors and all creatives.

Course Outline

The course is divided into two sessions. The morning session – where Kristine leads and takes actors through a series of complicité games, improvisation and text work. The afternoon session – where Fabio will lead actors through a series of presence and clown exercises. Both tutors are present all day and together they enlighten students on how clown and text work interconnects. These two disciplines are inseparable and are able to feed greatly from each other.

The breakdown of sessions is as follows; 

  • Games : learning complicité in games
  • Improvisation : holding the openness and complicité with each other found in games and threading this through to improvisation
  • Text work : monologues and scene work – holding the open complicité found in games and improvisations and threading this through to text work
  • Utilising the above work effortlessly in clown work to extend one’s understanding of how to forge a complicité with the audience
  • Giving an understanding of how theatrical clown work is an integral part of actor training and how what is learnt through clown work can be applied in scene work

Course Outcomes

This course will give you a deeper awareness and sense of yourself, and show you how to bring this to the stage. You will gain greater freedom and confidence as you learn how to play well on the stage with ease at any given moment.

Students Outcomes:

  • A sense of self and the importance of you and your unique self in any work
  • Effortless easy playing
  • Establishing excellent complicité with scene partners
  • Establishing excellent complicité with an audience
  • Forensic understanding of what it is to play well on stage
  • A process which will lead to an easing of any nerves or anxieties when performing

Session Details

When: 3 x Full Days

Dates: Saturday 3rd, Sunday 4th & Monday 5th August, 2019

Time: 10am – 5pm each day

Venue: 18 City Rd, Chippendale, NSW 2008

Participants: 16 Maximum

Price: $560.00 incl GST (10% off for Hub Members)

Session Details

Payment Information

How To Pay & Instalment Option: The easiest way to pay is by Electronic Funds Transfer (EFT) using the bank details on the invoice (please quote the invoice number in the transfer information), or by simply clicking the ‘pay online’ link also on the invoice (bank fees apply). You will be email an invoice upon acceptance into the program. Payment is due no later than the due date stated on the invoice, however if you would like to pay in instalments please call or email the office to arrange the dates and amounts you will pay. Please note full payment of the course is due by the time the course finishes. You can start payment instalments at anytime upon receipt of the invoice.

About Kristine Landon-Smith

Kristine Landon-Smith is a theatre practitioner and educator. She has recently returned to the UK after a three year posting as Senior Lecturer in Acting at The National Institute of Dramatic Art (NIDA) Australia. She joined the institution in 2013, after more than 22 years as a Founder member and Artistic Director of Tamasha, one of Britain’s leading middle scale touring companies specialising in artist training, new writing and intracultural theatre practice. Prior to founding Tamasha, Kristine was a Senior Producer for BBC Radio Drama. She currently freelances as a teacher and director in the UK and Australia.

Her practice encourages the actor to “play” well and at all times (with or without text), while nurturing the individual personality and spirit of the performer. Working closely with the actor’s cultural context and language in particular plays a large part in her practice.
Kristine has been hugely influenced by her former tutor and mentor, the French master of clown and bouffon Philippe Gaulier, and has frequently taught on the Greek Tragedy, Chekhov and Shakespeare courses at his Paris-based institute, L’Ecole Philippe Gaulier.

About Fabio Motta

Fabio Motta is an actor and clown who had the fortune of performing and devising theatre in Australia, Italy and the United states. Most recently he played Judge Brack in Hotel Now’s adaptation of Hedda Gabler: ‘Her father’s daughter‘ at the Stonnigton City Council. He also played Benedick in Melbourne’s Shakespeare’s Company production of Much Ado. Other notable credits include; Three Sisters (New York Theatre Workshop), My Uncle Chekhov directed by Aleksey Burago (West End Theatre) and Pal Joey directed by Robert McQueen (HB Studios). He has toured Australia with Polka Theatre’s ‘Charlie and Lola Best Bestest play’ and Extremely New Play performing at the Sydney Opera House. He was a conservatory company member at the Hudson Valley Shakespeare Festival (Garrison, New York) performing in repertory in; Measure for Measure, As you like it and the devised clown show So Please You. His TV and film work includes Carla Cametti PD, Canal Road, Ronny Chang International student, Utopia season 4 and Hating Alison Ashley. He trained at the Accademia Teatrale Veneta (Italy) in Commedia Dell’Arte, a graduate of HB studio in New York, 16th Street Actors Studio and studied with clown master Philippe Gaulier and Giovanni Fusetti.

Fabio teaches clowning, commedia dell’arte, theatre as play (Le Jeu) and is a certified teacher of Fitzmaurice Voicework® . He apprenticed and taught under Zack Fines at New York University Tisch School of the Arts in Clowning and Games. He has ran workshops at NYU, HB studio, the Ume Group (Physical Theatre Ensemble New York) and in Melbourne runs The Clowning Workshop with Fabio Motta. He has also taught at16th Street Acting Studio, St. Martin’s Youth Theatre and The National Theatre Drama school.

Apply For The Course

Please send an expression of interest including your C.V. to courses@thehubstudio.com.au or use the below form. Please note the course is by invitation only. If accepted we shall send out an application form with all the course information. Notification for acceptance will be made no later than one week before course commencement.

If offered your place will only be held once payment is received in full. Failure to do so will forfeit your place on the course. For more information or queries please don’t hesitate to call on (02) 9212 0522 or alternatively email us on the above address.

Course Application Form

To apply for any of our courses please use this form.
  • If accepted onto the series you will be required to pay via one of the above options, please choose one from the following options.
    TERMS & CONDITIONS: Please make 100% sure you are available for the course BEFORE agreeing to these terms and conditions. Once you have agreed by ticking the above box YOU ARE FULLY LIABLE TO PAY FOR THE COURSE IN FULL REGARDLESS OF HOW MANY CLASSES ARE ATTENDED. If you are not accepted onto the course, you will not held be liable to pay. Confirmation of acceptance onto a course will be emailed to you directly with an invoice. Upon receipt of the invoice you hereby agree to pay the full amount and by no later than the due date stated on the invoice. If you have opted for the direct debit payment system, you agree to return the emailed Direct Debit Request (DDR) Form within two days of receipt with the correct banking information and agree to have the appropriate funds available at all times, as per the payment schedule. If for some reason the DDR Form isn't filled out, at any stage before or after a course, you will still be required to pay the course amount in full. If for any reason you have not received the DDR Form, it is your responsibility to pay for the course and notify the studio. Please note that prior to payment we cannot guarantee your place on any course. CANCELLATIONS MADE BY YOU: If for whatever reason you wish to cancel your place on a course, you must notify us via email within five (5) business days before the start of the first class. A REFUND WILL BE ISSUED ONLY IF YOUR PLACE CAN BE FILLED. Often at this stage it can be difficult to find a suitable replacement, however we’ll do our best to facilitate the changes, if at all possible. If a refund is approved it will incur an administration charge of $75. Any cancellations requested after the five (5) days cut off are non-refundable however may be transferred as a credit, at the discretion of the The HubStudio, and are not guaranteed. IF WE MAKE CANCELLATIONS: Rarely we have to move a class due to unforeseen circumstances such as teachers sickness or unavailability. In these circumstance we will do our best to find a new time to accomodate everyone. We do not offer refunds for single class movements. If a whole class series is moved you will be entitled to a credit note for the next series or a full refund if you can’t attend the new dates. MAILING LIST: Please note by agreeing to these terms and conditions you also give consent to be subscribed to any potential HubStudio mailing lists and marketing material. To opt-out at any time simply follow the link provided. OUR POLICY: At all times, The HubStudio will endeavour to facilitate your needs, and provide the most fair, and suitable outcome for both parties. The above terms and conditions are best practice policies to ensure we can maintain a high standard and quality service to all our customers.

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For further questions or queries please contact us directly during 10am – 5pm / Monday – Friday on the below details:

Our office and studio is located across from Victoria Park and the Broadway Shopping Centre in Sydney’s Chippendale. For best parking and travel options please click here.

Further Questions

The HubStudio prides itself on helping professional actors to facilitate their training journey. If you would like more information about this course, or more importantly which courses would suit you best, then please email or call us to discuss your training goals.